Großhandelsöl Streichend Kein Minimum An
 
 


Mary Cassatt The Bath oil painting reproduction


Mary Cassatt
Das Bad
The Bath
Gemälde IDENTIFIZIERUNG::  3147

 
 
   
      


Pierre Renoir The Bath oil painting reproduction


Pierre Renoir
DasBad
The Bath
Gemälde IDENTIFIZIERUNG::  28587
 die Kreide von 1883 725 X 965 cm Lugano die Schweiz Die Thyssen-Bornemisza Sammlung (mk64)
1883 Chalk 72.5 x 96.5 cm Lugano Switzerland The Thyssen-Bornemisza Collection (mk64)

 
 
   
      


Bamboccio The Bath oil painting reproduction


Bamboccio
Das Bad
The Bath
Gemälde IDENTIFIZIERUNG::  30024
 mk67 Öl auf Leinwand 24 3/16x19 5/16in Uffizi
mk67 Oil on canvas 24 3/16x19 5/16in Uffizi,

 
 
   
      


Mary Cassatt The Bath oil painting reproduction


Mary Cassatt
Das Bad
The Bath
Gemälde IDENTIFIZIERUNG::  30864
 mk68 Öl auf Leinwand Chicago Kunstinstitut vom Frankreich von Chicago 1892
mk68 Oil on canvas Chicago,Art Institute of Chicago 1892 France

 
 
   
      


Berthe Morisot The Bath oil painting reproduction


Berthe Morisot
The Bath
Gemälde IDENTIFIZIERUNG::  59980
 The Bath (Girl Arranging Her Hair, ', ', ', ', ', ', ', '), Sterling and Francine Clark Art Institute, Williamstown, Massachusetts 1885-86

 
 
   
      


Marc Charles Gabriel Gleyre The Bath oil painting reproduction


Marc Charles Gabriel Gleyre
The Bath
Gemälde IDENTIFIZIERUNG::  88709
 1868(1868) Medium Oil on canvas Dimensions 90.2 x 63.5 cm (35.5 x 25 in) cyf

 
 
   
      
Marc Charles Gabriel Gleyre
Charles Gleyre (full name Marc Gabriel Charles Gleyre) (Chevilly, Vaud canton, 2 May 1806 - 5 May 1874), was a Swiss artist. He took over the studio of Paul Delaroche in 1843 and taught a number of younger artists who became prominent, including Claude Monet, Pierre Auguste Renoir, Alfred Sisley and James Abbott McNeill Whistler. Self portraitHis father and mother died when he was eight or nine years of age; and he was brought up by an uncle in Lyon, France, who sent him to the industrial school of that city. Going to Paris in his late teens, he spent four years in intense artistic study. The following four years Gleyre spent in meditative inactivity in Italy, where he became acquainted with Horace Vernet and Louis Leopold Robert; and six years more were spent wandering in Greece, Egypt, Nubia and Syria. At Cairo he was attacked with ophthalmia, or inflammation of the eye, and in Lebanon he was struck down by fever. He returned to Lyons in shattered health. On his recovery he proceeded to Paris, and, establishing a modest studio in the rue de Universite, began carefully to work out the ideas which had been slowly shaping themselves in his mind. Mention is made of two decorative panels Diana leaving the Bath, and a Young Nubian as almost the first fruits of his genius; but these did not attract public attention until much later, and the painting by which he practically opened his artistic career was the Apocalyptic Vision of St John, sent to the Salon of 1840. This was followed in 1843 by Evening, which at the time received a medal of the second class, and afterwards became widely popular under the title Lost Illusions. It depicts a poet seated on the bank of a river, with his head drooping and a wearied posture, letting his lyre slip from a careless hand, and gazing sadly at a bright company of maidens whose song is slowly dying from his ear as their boat is borne slowly from his sight.
The Bath
1868(1868) Medium Oil on canvas Dimensions 90.2 x 63.5 cm (35.5 x 25 in) cyf

Related Paintings to Marc Charles Gabriel Gleyre :.
| Woman in front of farmhouse | Hill and Ploughed Field near Dresden | Portrait of Louise | Die Familie des Bauern | Marine painting |

        
 
   
 

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